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Warner Bros. Shifts ‘Mortal Kombat II’ Release Date to Summer 2026
Gizmodo
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The 10 Best Moments in ‘Jaws’
Gizmodo
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Why ‘The Toxic Avenger’ Is the Superhero Movie We Need Right Now
Gizmodo
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‘The Goonies 2’ Is Sailing Closer to Reality
Gizmodo
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Influencers Will Have to Complete a Long Walk to See ‘The Long Walk’
Gizmodo
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Great Scott! ‘Back to the Future’ Is Getting a Snazzy Theatrical Re-Release
Gizmodo
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2025.35: Intel and the Least Bad Option
Stratechery
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Lego’s more-is-more strategy is working
Fast Co - Design
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James Cameron reflects on 20 years of ‘Avatar’ and what he’s working on next
Fast Co - Design
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KPop Demon Hunters, Sony’s Risk, The Netflix Aggregator
Stratechery
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Netflix's New AI Role
Tomasz Tunguz
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What A World (A few Stories)
Collaborative Fund
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New Media Models and A Good Summer Movie
Troy Young
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Reed Hastings: The Netflix Playbook for Culture, Judgment, and Scale [The Knowledge Project Ep. #232]
Farnam Street
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Three Netflix What-Ifs: Bezos, Arnault and Blockbuster
Trung Phan
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AI Has Learned How to Capture Our Emotional Metadata
Evan Armstrong
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What the Hell is going on With Superconductors
Eric Jorgenson
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How to Blow Up a Timeline
Eugene Wei
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🎬 Netflix
First 1000
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How Ideas Grow
Nathan Baschez
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My Favorite Movies of 2021
Eugene Wei
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And You Will Know Us by the Company We Keep
Eugene Wei
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A Review of My New Book, “Skip the Line”
James Altucher
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American Idle
Eugene Wei
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Seeing Like an Algorithm
Eugene Wei
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TikTok and the Sorting Hat
Eugene Wei
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The John Wick Universe is Cancel Culture
Eugene Wei
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The Uncanny Valley of Interactivity
Eugene Wei
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Smoke and Mirrors
Eugene Wei
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Status as a Service (StaaS)
Eugene Wei
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Invisible asymptotes
Eugene Wei
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Catch up
Eugene Wei
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Why Information Grows
Eugene Wei
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"There's no way to tell where the border is between measurement and manipulation"
Chris Dixon
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As elegantly produced as movies and as engaging as great novels
Chris Dixon
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Designing products for single and multiplayer modes
Chris Dixon
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